A huge part of our mission with WALL\THERAPY is to bring art to our fellow citizens. We love seeing folks share their photos and interactions with the murals on their social media, on tours, etc. It’s just one way to know that the murals resonate with our community members.
However, we also feel it’s important to help explain what folks can and can’t do when it comes to the murals and reuse of the artwork.
MURALS IN THE PUBLIC ARE COPYRIGHTED ARTWORK
First and foremost, the copyright of the artwork in the mural is retained by the respective artist. It is their intellectual property and idea that they’ve shared with us, and it’s protected a few different ways:
From the Americans for the Arts site:
Who owns the copyright for a public artwork?
The artist retains all rights under the Copyright Act of 1976 (17 USC Section 101) as the sole author of the work for the duration of the copyright. The duration of copyright in the United States is currently the life of the author, plus 70 years.
Title to the artwork passes to the client or commissioning agency/organization upon their written acceptance of and payment for the work, but copyright belongs to and remains with the artist. In other words, although the client may “own” the work of art, the artist who created the work owns the copyright, including all ways in which that artwork is represented (photos, video, ads, logos, branding), other than in situ (on-site documentation photos). Artists may wish to register their copyright with the federal government. For more information on copyright, refer to Public Art Network’s Best Practices Guidelines.
These rights were expanded with the Visual Artists RIghts Act of 1990 (VARA)
The Visual Artists Rights Act of 1990 (VARA), (Pub. L. 101–650 title VI, 17 U.S.C. § 106A), is a United States law granting certain rights to artists.
VARA was the first federal copyright legislation to grant protection to moral rights. Under VARA, works of art that meet certain requirements afford their authors additional rights in the works, regardless of any subsequent physical ownership of the work itself, or regardless of who holds the copyright to the work. For instance, a painter may insist on proper attribution of their painting, and in some instances may sue the owner of the physical painting for destroying the painting even if the owner of the painting lawfully owned it.[1]
SOURCE: https://en.wikipedia.org/wiki/Visual_Artists_Rights_Act
VARA exclusively grants authors of works that fall under the protection of the Act the following rights
- right to claim authorship
- right to prevent the use of one’s name on any work the author did not create
- right to prevent the use of one’s name on any work that has been distorted, mutilated, or modified in a way that would be prejudicial to the author’s honor or reputation
- right to prevent distortion, mutilation, or modification that would prejudice the author’s honor or reputation
- right to prevent any destruction of a work of recognized stature and any intentional or grossly negligent destruction of that work is a violation of that right.
Source: https://artrepreneur.com/journal/street-art-or-vandalism/
SO WHERE DOES THAT LEAVE ME, THE MURAL VIEWER?
The murals are there to be viewed, appreciated, shared, etc! Taking photos with your friends, family, for your own personal inspiration later are totally fair use. Sharing them on your personal social media (make sure that you tag the artists in your photo!) is okay too.
However, examples of things that require written consent or an agreement from the artist include reproducing murals in films, books, on clothing, or selling photographs of them . . . essentially as soon as you go to use the original artist’s work in a new product and make money off of it. Such written consent normally takes the form of a “license”.
A great explanation of this is on Clarion Alley Mural Projects mural usage FAQ:
https://clarionalleymuralproject.org/murals/mural-faq-licensing-film-video-photography/
The details will vary from location to location, but ultimately, usage of another person’s artwork requires a license and permission.
NOTE: There ARE also many other authorized fair use usages, such as art critique, some academic projects, etc. If you have questions, contact us at the email below!
LICENSING IMAGES OF MURALS
If you are interested in licensing a photograph of a mural, be it one you took or one you’ve seen on our site/social media, please reach out to us and we can help facilitate the discussion and put you in contact with the appropriate artists. Most artists are receptive to working with these inquiries
Contact us: info@wall-therapy.com
ARTISTS: REGISTERING YOUR MURAL
While your artwork is “copyrighted” as soon as you finish your mural, the law and enforcement of your copyright really needs you to have a registered copyright with the US copyright office (for murals created in the US). So you have the copyright upon completion, but you can’t do much to enforce it without registration.
It may FEEL daunting, but it’s actually a pretty simple process with a relatively reasonable fee for protecting your work. You may not want/need to register all of your work, but we do highly recommend work that you feel is most important to you (and/or in need of extra protection!)
https://www.copyright.gov/registration/
(Learn more under Visual Arts, and log in on this page to actually register your artwork!)
FOR MORE INFORMATION:
To learn more, here’s some really helpful articles from the last few years that we’ve used to help guide our own work. This is by no means comprehensive, but a good few places to start!
- Who Owns the Copyright in Public Art?
- Mural copyrights: Yes, it’s a thing! Don’t end up with paint on your face
- There are a HOST of articles from a variety of sources, and if you are interested, we suggest you dig in further!